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Propellerhead Reason 6.0.1 (WIN/MAC) | 3.28 GB + 3.68 GB
Reason is a virtual studio rack with all the tools and instruments you need to

turn your ideas into music. It emulates a rack of hardware synthesizers, samplers, signal processs, sequencers, and mixers, all of which can be freely interconnected in anarbitrary manner. Reason can be used either as a complete virtual music studio as a collection of virtual instruments to be played live used with other sequencing software. With its generous sound bank and intuitive flow, Reason helps you along in the creative process and is the music software that never gets in your way. Walk into anyprofessional recding studio and you will see racks filled to the brim with different tools used in music production from reverb to compresss, vocoders, synths, disttion units, and parametric EQs. Unlike a real studio, however, if you want another synth an extra compress you can create one from a menu rather than taking that second job signing up f those experimental clinical drug trials.
Included with Reason is a huge sound bank full of inspiring instruments, synth patches, loops, and effects. Patches havebeen created by producers like Death Cab f Cutie's Jason McGerr, Bomb Squad's Hank Shocklee, Black Eyed Peas' Printz Board, DJ Lucky Date, Kill the Noise, andme.
Basic Devices:
� Hardware Interface – The Hardware Interface handles the connection between software and hardware and suppts up to sixty-four separate outputs. As it isintegral to Reason's functionality, it cannot be removed.
� Mixer 14:2 – Reason's mixer is used to group numerous device outputs into a stereo output. It hasfourteen stereo channels with level meters, fixed bass and treble EQ and four stereo auxiliary sends. It is possible to mute solo any given channel, as well as alter itslevel, pan and auxiliary output level. The console has chaining master inputs to allow several line mixers to be daisy chained together, effectively allowing f an unlimitednumber of channels.
� Line Mixer 6:2 – Similar to the Mixer 14:2, and also known as the Micromix, it is a smaller, six channel mixer, with only one auxiliary send andreturn, no EQ, smaller level controls and limited metering.
Synthesizers:
� Subtract Analogue Synthesizer – Subtract is a polyphonic synthesizer device based on subtractivesynthesis, which is the method used in classic, analog synthesizers. Its two oscillats can produce basic wavefms such as square, sawtooth, triangle, and sine. Additional wavefms based on samples can also be generated. The Subtract device can be completely automated from a controlling device, such as Reason's sequencer.
� Th PolysonicSynthesizer – The Th device simulates a semi-modular synthesizer. Six filter and oscillat slots let you load up three different filter modules and three different oscillatmodules simultaneously, allowing you to dial in novel sounds. A modulation matrix gives you complete control over your signal flow, letting you modulate anything within Th.Th also has a simulation of an analog style step sequencer with me than one twist.
� Malstr�m Graintable Synthesizer – The Malstr�m device creates its sounds usingGraintable technology. This technology is a cross between granular synthesis and wavetable synthesis. Malstr�m features many filtering and modulation options. It is capable of real-time wavefm stretching, spectral modulation, and wavetable sweeping. Malstr�m comes with a wide range of Graintables.
Samplers:
� NN-19 Digital Sampler -The NN-19 device is Reason's iginal sampler, introduced in the first version. All of the controls on the NN-19 can be fully automated from a controlling device. Thereare two ways of getting sound out of NN19: load a single wav/aiff sample load a sampler patch. Loading a single wav/aiff file will instantly transpose the audio across thekeyboard by speeding up slowing down the playback of the sample. The NN19 can impt and play mono stereo files.
� NN-XT Advanced Sampler – The NN-XT device is an advancedsampler with many features. It is designed f wking with multiple samples which can be assigned to different keys on the keyboard. It can be used f both sound design andinstrument emulation. Useful features include alternate sample playback, auto-pitch detection, keyboard zones with individual parameters, and tempo syncable LFOs.
RhythmSequencers:
� Dr. Octo REX Loop Player – This update of the Dr.Rex device, the Dr. Octo Rex Loop Player plays back samples created by the ReCycle (program) in the .rex and.rx2 fmats. These fmats allow f manipulation of the sample's tempo without affecting its pitch. Imagine that you have a sample of a drum loop. The loop is 144 bpm andyour track is 118 bpm. Instead of stretching the sample, which would change the sample's timbre and pitch, ReCycle slices the loop into little pieces so that each beat gets its own sample. ReCycle also creates a MIDI file with the samples played the way the loop was iginally played.
� Redrum Drum Computer – The Redrum device is asample-playback drum module with a built in pattern sequencer. It has ten channels that plays samples loaded individually from a preset kit. In addition to the patternsequencer, Redrum can also be played from Reason's main sequencer via MIDI.
Mastering:
� MClass Equalizer – The MClass Equalizer is a 4-band, professional levelmastering EQ with low and high shelving bands, two peak filters and a low cut switch. The MClass Equalizer lets you make subtle drastic frequency adjustments to theaudio.
� MClass Stereo Imager – The MClass Stereo Imager splits the incoming audio into low and high frequency bands, and lets you adjust each independently.
� MClassCompress – The MClass Compress is a single-band compress with a sidechain input f advanced compression such as ducking de-essing, and CV out f dynamically controlling otherdevices.
� MClass Maximizer – The MClass Maximizer is a tool designed to maximize the volume of your Reason tracks, without crushing them introducing other unwantedartifacts.
Effects:
� RV7000 Advanced Reverb – The RV7000 contains basic reverb controls located on the main panel, and eight separate knobs f algithms and theirparameters, which can be accessed from a fold-out remote when pressed.
� Scream 4 Disttion – With Scream 4's cut and body filters, two parameters f its ten modesincluding overdrive, disttion, feedback and tape damage, you can use it f digital bit crushing, regular crushing, f simulating adding analog warmth to audio.
� BV512Digital Vocoder – The BV-512 is a 4 to 512-band vocoder that can modulate sound in several ways, and can also be used as an automated equalizer.
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